• warning: Parameter 1 to theme_field() expected to be a reference, value given in /nfs/c02/h01/mnt/42743/domains/mstrmnd.com/html/includes/theme.inc on line 171.
  • recoverable fatal error: Object of class stdClass could not be converted to string in /nfs/c02/h01/mnt/42743/domains/mstrmnd.com/html/sites/all/themes/custom/basic/node-blog.tpl.php on line 109.
  • recoverable fatal error: Object of class stdClass could not be converted to string in /nfs/c02/h01/mnt/42743/domains/mstrmnd.com/html/sites/all/themes/custom/basic/node-blog.tpl.php on line 109.
  • recoverable fatal error: Object of class stdClass could not be converted to string in /nfs/c02/h01/mnt/42743/domains/mstrmnd.com/html/sites/all/themes/custom/basic/node-blog.tpl.php on line 109.
  • recoverable fatal error: Object of class stdClass could not be converted to string in /nfs/c02/h01/mnt/42743/domains/mstrmnd.com/html/sites/all/themes/custom/basic/node-blog.tpl.php on line 109.
  • recoverable fatal error: Object of class stdClass could not be converted to string in /nfs/c02/h01/mnt/42743/domains/mstrmnd.com/html/sites/all/themes/custom/basic/node-blog.tpl.php on line 109.
  • recoverable fatal error: Object of class stdClass could not be converted to string in /nfs/c02/h01/mnt/42743/domains/mstrmnd.com/html/sites/all/themes/custom/basic/node-blog.tpl.php on line 109.
  • recoverable fatal error: Object of class stdClass could not be converted to string in /nfs/c02/h01/mnt/42743/domains/mstrmnd.com/html/sites/all/themes/custom/basic/node-blog.tpl.php on line 109.
  • recoverable fatal error: Object of class stdClass could not be converted to string in /nfs/c02/h01/mnt/42743/domains/mstrmnd.com/html/sites/all/themes/custom/basic/node-blog.tpl.php on line 109.
  • recoverable fatal error: Object of class stdClass could not be converted to string in /nfs/c02/h01/mnt/42743/domains/mstrmnd.com/html/sites/all/themes/custom/basic/node-blog.tpl.php on line 109.
  • recoverable fatal error: Object of class stdClass could not be converted to string in /nfs/c02/h01/mnt/42743/domains/mstrmnd.com/html/sites/all/themes/custom/basic/node-blog.tpl.php on line 109.
  • recoverable fatal error: Object of class stdClass could not be converted to string in /nfs/c02/h01/mnt/42743/domains/mstrmnd.com/html/sites/all/themes/custom/basic/node-blog.tpl.php on line 109.
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308309.1425

 

Both a retooling of Inception and a comment on Looper (or Looper-like plots), Nolan's Interstellar goes for broke. Is it incompatible with Wheeler-DeWitt?

 

“The imagery is necessarily physical and thus apparently of outer space. The inherent connotation is always, however, psychological and metaphysical, which is to say, of inner space. When read as denoting merely specified events, therefore, the mirrored images lose their inherent spiritual force and, becoming overloaded with sentiment, only bind the will the more to temporality”

Joseph Campbell

 

 

70mm found it's way into cinematic history when George Lucas concocted a release plan for his underground space opera Star Wars. Predicated by the effects team's discovery of mothballed Vistavision cameras: a shooting process gaining far larger frames in the camera's gate since 35mm stock passed left right, maximizing horizontal space. It's an almost 65mm film shot on 35. Coupled with better grain on faster ASA stocks, the optical printer's internegative became a kind of miniature, hi-res cel-animation, at times passing 20 elements in a highly choreographed regimen of withholding exposure areas. The computerized tracking of objects through cameras in-turn composed elegantly in intensely microscopic scales within the printer. And VistaVision's optical sharpness translated easily onto 70mm release prints. It married fluidly to the live-action's 35mm. The predecessor is 2001, a 70mm/"Cinerama" release which required weeks for miniature camera passes that took Star Wars minutes or hours to complete.  Star Wars is considered a blow-up to 70mm release, since its live-action is sourced in Mitchell-based Panavision 35mm camera negative. 2001 on the other hand required no blow-up: it's a pure optical 65mm camera negative/70mm release print. Spielberg followed Lucas with his own, non-blowup 70mm initial release, Close Encounters effects and live action are both shot in 65mm. Compare the year's 1977 with 1978 and you can see the effect these two 77 films had on the large-format market. Here's Vincent Canby on the first showing of Blade Runner's 70mm print.

 

 

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